Birthday: 1937-02-20
Birthplace: Tokyo, Japan
Gender: Male
Takahiko Iimura has been a pioneer artist of Japanese experimental film and video, working with film since l960 and with video since 1970 while residing in New York and Tokyo. He is a widely established international artist, having numerous solo exhibitions in major museums such as the Museum of Modern Art, New York, the Whitney Museum, New York, Anthology Film Archives, New York, Centre George Pompidou, Paris, the National Gallery Jeu de Paume, Paris, Palais des Beaux-Arts, Brussels, Reina Sofia National Museum, Madrid, and the Tokyo Metropolitan Museum of Photography, Tokyo in addition to an artist residency at the German Academy of Arts, Berlin, and Bellagio Rockefeller Foundation Study Center, Bellagio, Italy.
Credits
|
Year |
Title |
|
|
Ukiyo Ukare |
|
2023-02-15 |
Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973 |
|
2011-01-01 |
Associations of Silverpencils |
|
2008-06-30 |
A Rock In The Light |
|
2004-09-24 |
Ma: The Stones Haved Moved |
|
2003-06-06 |
I am (Not) Seen |
|
1996-01-01 |
Sky and Ground |
|
1995-01-01 |
As I See You You See Me |
|
1995-01-01 |
This Is a Camera Which Shoots This |
|
1993-01-01 |
A I U E O NN Six Features |
|
1991-01-01 |
Concept tape 3 (Performance) |
|
1991-01-01 |
Concept Tapes 1 |
|
1991-01-01 |
Concept Tapes 2 |
|
1991-01-01 |
Fluxus Replayed |
|
1989-01-01 |
MA: Space/Time in the Garden of Ryoan-ji |
|
1989-01-01 |
New York Day and Night: A Journey through Light and Darkness |
|
1989-01-01 |
The Making of MA in Ryoan-ji |
|
1989-01-01 |
Scared to Death |
|
1987-01-01 |
I Love You |
|
1987-01-01 |
Double Portrait |
|
1985-06-30 |
Moments At The Rock |
|
1985-06-01 |
Air's Rock |
|
1985-01-01 |
John Cage Performs James Joyce |
|
1984-11-26 |
Shadowman (The Structure of Seeing and Hearing) |
|
1984-01-01 |
New York Hot Springs |
|
1981-12-07 |
Talking Picture (The Structure of Film Viewing) |
|
1981-01-01 |
Talking in New York |
|
1981-01-01 |
I Am A Viewer You Are A Viewer |
|
1981-01-01 |
Circle & Square |
|
1977-01-01 |
Visual Logic (and Illogic) |
|
1977-01-01 |
MA (Intervals) |
|
1977-01-01 |
One Frame Duration |
|
1976-03-27 |
Camera, Monitor, Frame |
|
1976-01-01 |
Observer / Observed / Observer |
|
1975-12-09 |
24 Frames per Second |
|
1975-01-01 |
Observer / Observed |
|
1973-01-01 |
1 To 60 Seconds |
|
1973-01-01 |
Plus and Minus |
|
1972-12-09 |
Timed 1, 2, 3 |
|
1972-05-11 |
Yoko Ono: This Is Not Here |
|
1972-01-01 |
Models: B-4: Seeing, Not Seeing |
|
1972-01-01 |
Models: A-1: 2 Min. 46 Sec. 16 Frames |
|
1972-01-01 |
Models: A-2: Timing 1, 2, 3, 4 |
|
1972-01-01 |
Models: A-3: Time Length 1,2,3,4 |
|
1972-01-01 |
Models: B-1: Counting, 100 Or X's |
|
1972-01-01 |
Models: B-2: A Line 1, 2, 3 |
|
1972-01-01 |
Models: B-3: To See the Frame, Not to See the Frame |
|
1971-01-01 |
Shutter |
|
1971-01-01 |
Man and Woman |
|
1971-01-01 |
Time Tunnel |
|
1971-01-01 |
The Pacific Ocean |
|
1970-01-01 |
A Chair |
|
1970-01-01 |
Blinking |
|
1970-01-01 |
Film Strips II |
|
1970-01-01 |
Film Strips I |
|
1970-01-01 |
Kiri (The Fog) |
|
1970-01-01 |
In The River |
|
1970-01-01 |
Buddha Again |
|
1969-04-10 |
Face |
|
1969-01-01 |
Filmmakers |
|
1969-01-01 |
Flowers |
|
1967-12-07 |
Shelter 9999 |
|
1967-01-19 |
Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema |
|
1967-01-01 |
White Calligraphy |
|
1967-01-01 |
New York Scenes |
|
1966-12-07 |
Why Don't You Sneeze |
|
1966-01-01 |
Honey Moon |
|
1966-01-01 |
I Saw the Shadow |
|
1966-01-01 |
Taka and Ako |
|
1965-03-01 |
Rose Color Dance |
|
1964-12-16 |
Inside & Outside |
|
1964-12-16 |
My Documentary |
|
1964-01-01 |
A Dance Party in the Kingdom of Lilliput |
|
1964-01-01 |
Dead Movie |
|
1963-12-31 |
The Masseurs |
|
1963-12-28 |
Onan |
|
1963-08-13 |
Sakasama (Upside Down) |
|
1963-01-01 |
Desade |
|
1962-08-13 |
6x6 (Oukan Densentsu) |
|
1962-01-01 |
Love |
|
1962-01-01 |
Junk |
|
1962-01-01 |
On Eye Rape |
|
1962-01-01 |
Dada 62 |
|
1962-01-01 |
Iro (Colors) |