Emilija Škarnulytė

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Gender: Female

Working between the documentary and the imaginary, Škarnulytė makes films and immersive installations exploring deep time and invisible structures, from the cosmic and geologic to the ecological and political. Winner of the 2019 Future Generation Art Prize and the Ars Fennica Award 2023, Škarnulytė represented Lithuania at the XXII Triennale di Milano and was included in the Baltic Pavilion at the 2018 Venice Biennale of Architecture. She most recently presented works at MORI Art Museum, Kiasma, Gwangju Biennale, Helsinki Biennale, Vilnius Biennale, Henie Onstad Triennale. She has had solo exhibitions at Canal Projects, New York (2024), Ferme-Asile, Sion (2023); Kunsthaus Pasquart, Biel/Bienne (2021); Den Frie, Copenhagen (2021); National Gallery of Vilnius (2021); Künstlerhaus Bethanien, Berlin (2017); Contemporary Art Centre CAC of Vilnius (2015). In 2022, Škarnulytė participated in the group exhibition Penumbra organized by Fondazione In Between Art Film on the occasion of the 59th Venice Biennale. She has films in the collections of the Centre Pompidou, Kadist Foundation, HAM, IFA, and her works have been screened at the Tate Modern and Serpentine Gallery in London, Centre Pompidou in Paris, Museum of Modern Art in New York, and numerous film festivals including Rotterdam, Busan, Hotdocs and Oberhausen.

Credits

Year Title
Hypoxia
2026-03-17 Sounds of the Desert
2023-11-20 Xirasia
2023-05-27 Riparia
2023-04-07 Æqualia
2023-03-02 Tidal Body
2023-01-23 Aphotia
2023-01-01 Rakhne
2023-01-01 Xirasa
2022-04-15 Burial
2022-04-15 Aphotic Zone
2022-01-01 Sounds of the desert
2021-01-01 Circular Time
2021-01-01 Sunken Cities
2021-01-01 Absolute Dating
2019-09-21 Pleasure Prospects
2019-01-18 Your Body is a Mine
2019-01-18 Neon Oasis
2019-01-01 Deep Point Cloud
2019-01-01 t 1/2
2018-01-01 Mirror Matter
2017-08-02 Sirenomelia
2017-01-01 Energy Island
2016-09-26 Qso Lens
2015-01-01 The Footstones in Night Writing
2013-10-01 Hollow Earth
2012-01-01 Aldona