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65 min
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
Name | Character | Team | |
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Shoichi Honda | Unowned | |
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Yôko Hoshi | Unowned | |
Jiro Kagoshima | Unowned | ||
Sanshirô Kobayashi | Unowned | ||
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Takashi Kodama | Unowned | |
Yasunori Kurakata | Unowned | ||
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Akiko Monou | Unowned | |
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Shirô Namiki | Unowned | |
Airi Noguchi | Unowned | ||
Yukiko Okamoto | Unowned | ||
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Tetsuhiro Sai | Unowned | |
Fumio Sugiyama | Unowned | ||
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Tarō Suwa | Unowned | |
Takamori Teuchi | Unowned | ||
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Kanji Tsuda | Unowned |