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65 min
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.
Name | Character | Team | |
---|---|---|---|
Shoichi Honda | Unowned | ||
Yôko Hoshi | Unowned | ||
Jiro Kagoshima | Unowned | ||
Sanshirô Kobayashi | Unowned | ||
Takashi Kodama | Unowned | ||
Yasunori Kurakata | Unowned | ||
Akiko Monou | Unowned | ||
Shirô Namiki | Unowned | ||
Airi Noguchi | Unowned | ||
Yukiko Okamoto | Unowned | ||
Tetsuhiro Sai | Unowned | ||
Fumio Sugiyama | Unowned | ||
Tarô Suwa | Unowned | ||
Takamori Teuchi | Unowned | ||
Kanji Tsuda | Unowned |