4.667
86 min
Combining fictional and documentary modes, the film takes a critical stance toward Frankfurt's public sphere and urban redevelopment. Despite the serious formal and political concerns of the film, Kluge's heightened sense of the absurd safeguards a reserve of utopian optimism.
| Name | Character | Team | |
|---|---|---|---|
| Dagmar Bödderich | Inge Maier | Unowned | |
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Jutta Winkelmann | Rita Müller-Eisert | Unowned |
| Kurt Jürgens | Unowned | ||
| Alfred Edel | Bieringer | Unowned | |
| Norbert Kentrup | Max Endrich | Unowned | |
| Willi Münch | Unowned | ||
| Jutta Thomasius | Unowned | ||
| Hans Drawe | Dietzlaff | Unowned | |
| Christoph Gierke | Unowned | ||
| Utz Rausch | Unowned |