9
0 min
At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?
Name | Character | Team | |
---|---|---|---|
Fernandel | Self (archive footage) | Unowned | |
Jacques Tati | Self (archive footage) | Unowned | |
Bourvil | Self (archive footage) | Unowned | |
Louis de Funès | Self (archive footage) | Unowned | |
Patrick Préjean | Narrator (voice) | Unowned | |
Brigitte Fossey | Self | Unowned | |
Mei-Chen Chalais | Self | Unowned | |
Françoise Deldick | Self | Unowned | |
Sophie Agacinski | Self | Unowned | |
Nicole Lyss | Self | Unowned | |
Bernard Ménez | Self | Unowned | |
Jacques Pessis | Self | Unowned | |
Albert Mathieu | Self | Unowned | |
Luc Larriba | Self | Unowned | |
Danièle Thompson | Self (archive footage) | Unowned | |
Michel Galabru | Self (archive footage) | Unowned | |
Catherine Rouvel | Self | Unowned | |
Marcel Pagnol | Self (archive footage) | Unowned | |
Isabelle Nohain Raimu | Self | Unowned | |
Jacques Balutin | Self (archive footage) | Unowned | |
Marina Vlady | Self | Unowned | |
Annie Cordy | Self (archive footage) | Unowned | |
Akila Assas | Self | Unowned | |
Georges Rostan | Self | Unowned | |
Henri Verneuil | Self (archive footage) | Unowned | |
Gérard Oury | Self (archive footage)) | Unowned | |
Jean-Pierre Melville | Self (archive footage) | Unowned | |
Yves Montand | Self (archive footage) | Unowned | |
Henri Guybet | Self | Unowned |