3.667
92 min
The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.
| Name | Character | Team | |
|---|---|---|---|
![]() |
Lautaro Murúa | Edmundo Budiño | Unowned |
![]() |
Víctor Laplace | Ramón Budiño | Unowned |
![]() |
Dora Baret | Susana de Budiño | Unowned |
![]() |
Bárbara Mújica | Dolly de Budiño | Unowned |
![]() |
Alberto Segado | Hugo Budiño | Unowned |
![]() |
Nelly Prono | Tía Olga | Unowned |
![]() |
Jorge D'Elía | Abella | Unowned |
![]() |
Pablo Rago | Ramón Budiño (niño) | Unowned |
| Gabriel Lenn | Gustavo Budiño | Unowned | |
![]() |
Esther Goris | Unowned | |
![]() |
Graciela Dufau | Dora | Unowned |
![]() |
Jesús Berenguer | Unowned | |
![]() |
Sergio Renán | Villalba | Unowned |
| Salo Vasocchi | Javier | Unowned | |
| Tita Tamames | Unowned | ||
![]() |
Adolfo Yanelli | Unowned | |
| Felipe Méndez | Unowned | ||
![]() |
Juan Carlos Ricci | Unowned | |
| Roberto Pagani | Unowned | ||
![]() |
Armando Capo | Unowned |