5.8
95 min
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
Name | Character | Team | |
---|---|---|---|
Jean-Luc Godard | Self | Unowned | |
Rip Torn | Self | Unowned | |
Eldridge Cleaver | Self | Unowned | |
Marty Balin | Self - Jefferson Airplane | Unowned | |
Jack Casady | Self - Jefferson Airplane | Unowned | |
Spencer Dryden | Self - Jefferson Airplane | Unowned | |
Paul Kantner | Self - Jefferson Airplane | Unowned | |
Jorma Kaukonen | Self - Jefferson Airplane | Unowned | |
Grace Slick | Self - Jefferson Airplane | Unowned | |
Amiri Baraka | Self | Unowned | |
Tom Hayden | Self | Unowned | |
Carol Bellamy | Self | Unowned | |
Mary Lampson | Self | Unowned | |
Richard Leacock | Self | Unowned | |
Tom Luddy | Self | Unowned | |
Paula Madder | Self | Unowned | |
D. A. Pennebaker | Self | Unowned |