5
106 min
Pin de Fartie unfolds as a playful spin on theatrical adaptation and an experiment in character dynamics. The film charts three relationships defined by Samuel Beckett’s 1957 play Fin de Partie (Endgame): one between a blind man and his daughter; another concerning two actors rehearsing that same text; the third following a man who reads his blind mother Beckett’s play and discovers that it reflects their lives.
| Name | Character | Team | |
|---|---|---|---|
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Santiago Gobernori | Unowned | |
| Cleo Moguillansky | Unowned | ||
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Laura Paredes | Unowned | |
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Marcos Ferrante | Unowned | |
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Luciana Acuña | Unowned | |
| Maxi Prietto | Unowned | ||
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Laura López Moyano | Unowned | |
| Fernando Tur | Unowned | ||
| Margarita Fernández | Unowned | ||
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Alejo Moguillansky | Unowned |