7.2
87 min
In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.S. a marvelously photographed, intensely felt, and disturbing portrait of contemporary America. In many ways, this recent film is a departure of Benning’s earlier films which are characterized, at times, by extremely long, carefully planned takes and a minimal narrative approach. In NORTH ON EVERS, the shots are kept short with a narrative that is direct and detailed, like a diary or a long series of postcards to a friend. What this work shares with the other films is a dry wit and a deep interest in the American social landscape.
Name | Character | Team | |
---|---|---|---|
Richard Linklater | Unowned | ||
Willem Dafoe | Goutbreak | ||
Lee Daniel | Unowned | ||
Bette Gordon | Unowned | ||
Elyse Goldberg | Unowned | ||
Rhonda Bell | Unowned | ||
Kevin Welch | Unowned | ||
Lynn Fuller | Unowned | ||
Dorothy Zeidman | Unowned | ||
Steve Lennon | Unowned | ||
Les LeVeque | Unowned | ||
John Knecht | Unowned | ||
Sadie Benning | Unowned | ||
Anita Benning | Unowned | ||
Rusty Johnson | Unowned | ||
Jim Benson | Unowned |