6.8
18 min
Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street.
Name | Character | Team | |
---|---|---|---|
Caroline Rittener | Unowned | ||
Guy Debord | Unowned |