5.3
40 min
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.
Name | Character | Team | |
---|---|---|---|
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Lyudmila Semyonova | Valya | Unowned |
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Pyotr Sobolevsky | Vanya Shorin | Unowned |
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Emil Gal | Vaudeville Performer | Unowned |
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Sergei Gerasimov | Man The Question | Unowned |
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Andrei Kostrichkin | Drummer | Unowned |
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Yanina Zheymo | Unowned | |
Antonio Tserep | Tavern Owner | Unowned | |
N. Foregger | Unowned |