4.6
87 min
The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.
Name | Character | Team | |
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Josephine Siao Fong-Fong | Lang Kim-Sam | Unowned |
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Anita Yuen Wing-Yee | Yip Yuk-Seung | Unowned |
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Waise Lee Chi-Hung | Ah Lung | Unowned |
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Chung King-Fai | Chan Yiu Jo | Unowned |
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Daniel Chan Hiu-Tung | Wong Man-Chun | Unowned |
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Lee Heung-Kam | Piano | Unowned |
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Tam Sin-Hung | Auntie Ming | Unowned |
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Michelle Wong Man | Mimi Chan | Unowned |
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David Wu | Director Lam | Unowned |
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Louise Lee Si-Kei | Unowned | |
Cheng Wing-Mui | Sister Yin | Unowned |