5
233 min
In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
Name | Character | Team | |
---|---|---|---|
Régine Bouet | Gossette | Unowned | |
Maurice Schutz | Comte de Savières | Unowned | |
Jean-David Évremond | Robert de Tayrac | Unowned | |
Monique Chrysès | Madame Dornay | Unowned | |
Jean d'Yd | Maître Varadès | Unowned | |
Madeleine Guitty | Madame Bonnefoy | Unowned | |
Mario Nasthasio | Andriano | Unowned |