0
297 min
Georg Brecher, journalist and casual writer, leads a report into the uranium mining of bismuth. Under the impression of hard work underground and the encounter with the mates, Brecher rethinks his previous life. Ulrich Thein's film was created in the context of cultural political balding after the 11th Plenum of the Central Committee of the SED in December 1965, which meant a clear turning point in the youth and cultural policy of the GDR: numerous films, plays, books and music groups banned. The filming of "Columbus 64" also had to be interrupted and it took months for Thein to be let back to the film. Thein's arguments with his film to show the "revolutionary society development" in the GDR did not help, because after completion, his work fell victim to censorship: it was shortened, re-synchronised and offered after a unique broadcast in the GDR.
Name | Character | Team | |
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Armin Mueller-Stahl | Georg Brecher | Unowned |
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Teri Tordai | Tery | Unowned |
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Fred Delmare | Baggerfahrer | Unowned |
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Karin Ugowski | Karin | Unowned |
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Günter Grabbert | Kurt Steinhauer | Unowned |
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Charlotte Küter | Unowned | |
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Peter Dommisch | Unowned | |
Lothar Bellag | Unowned | ||
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Walter Richter-Reinick | Unowned | |
Günter Meier | Unowned | ||
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Otmar Richter | Unowned | |
Benno Mieth | Unowned | ||
Manfred Müller | Unowned | ||
Siegfried Meyer | Unowned | ||
Paula Ronay | Unowned | ||
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Margot Busse | Unowned | |
Ortwin Spieler | Unowned | ||
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Lissy Tempelhof | Unowned | |
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Victor Deiß | Unowned | |
Erik Neutsch | Unowned | ||
Felicitas Ritsch | Unowned | ||
Anne Wollner | Unowned | ||
Harald Warmbrunn | Unowned | ||
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Erik S. Klein | Unowned | |
Hanna Rieger | Unowned | ||
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Reimar Johannes Baur | Unowned | |
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Horst Preusker | Unowned | |
Willi Neuenhahn | Unowned | ||
Bella Waldritter | Unowned | ||
Helga Ernst | Unowned | ||
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Dieter Mann | Unowned | |
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Petra Hinze | Unowned | |
Brigitte Lindenberg | Unowned | ||
Bernd Bartoczewski | Unowned | ||
Erhard Köster | Unowned | ||
Fred Ludwig | Unowned |