6.8
140 min
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
Name | Character | Team | |
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Zhen Zhen | Unowned | |
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Yueh Yang | Unowned | |
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Chang Mei-Yao | Unowned | |
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Li Li-Hua | Unowned | |
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Peter Yang Kwan | Unowned | |
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Chang Tseng | Unowned | |
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Han Su | Unowned | |
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Lung Fei | Unowned | |
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Chiang Ching | Unowned | |
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Chen Kuo-Chun | Unowned | |
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Hsieh Han | Unowned | |
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Ko Hsiang-Ting | Unowned | |
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Tsao Chien | Unowned | |
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Ou Wei | Unowned | |
Liu Ming | Unowned | ||
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Shang-Kuan Liang | Unowned | |
Chun Yang | Unowned |