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84 min
The production of a film requires recording equipment and financial resources if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.
Name | Character | Team | |
---|---|---|---|
Hellmuth Costard | The Applicant | Unowned | |
Hilka Nordhausen | A gallery owner | Unowned | |
Andy Hertel | The painter | Unowned | |
Werner Grassmann | A film producer | Unowned | |
Herbert Jeschke | The friend | Unowned | |
Hark Bohm | First Director | Unowned | |
Wolfgang Treu | Unowned | ||
Rainer Werner Fassbinder | Second Director | Unowned | |
Michael Ballhaus | Unowned | ||
Harry Baer | Unowned | ||
Horst Knechtel | Unowned | ||
Andréa Ferréol | Unowned | ||
Gisela Stelly | Unowned | ||
Petra Nettelbeck | Unowned | ||
Uwe Nettelbeck | Critic | Unowned | |
Dieter Meichsner | Unowned | ||
Rolf Hädrich | Unowned | ||
Jean-Luc Godard | The Guest | Unowned |