5
64 min
The documentary’s starting point is the discovery and restoration of a rare and unknown photography reel reproduced from a mutoscope film, made in 1901 in London, about Santos Dumont (1873 – 1932). The work approaches historic and artistic aspects from the beginning of Cinema (pre cinema, variety film) and a cinema that appropriates archive material (found footage, recycled films), through interviews, documents, visual metaphors and the articulation of a poetic essay.
| Name | Character | Team | |
|---|---|---|---|
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Alberto Santos Dumont | Himself (archive) | Unowned |
| Charles Rolls | Himself (archive) | Unowned | |
| Bernardo Vorobow | Narrador | Unowned | |
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Ismail Xavier | Himself | Unowned |
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Ken Jacobs | Himself | Unowned |
| Paul Spehr | Himself | Unowned | |
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Eduardo Morettin | Himself | Unowned |
| Henrique Lins de Barros | Himself | Unowned | |
| Laurent Mannoni | Himself | Unowned | |
| Solange Ferraz de Lima | Herself | Unowned | |
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Nicole Brenez | Herself | Unowned |
| Ron Magliozzi | Himself | Unowned | |
| Charles Silver | Himself | Unowned |