0
24 min
Shot in slow motion, with tiny bits of stagy lighting that seem to crumble and flake like cookies, Billy Name gives one of his notorious haircuts--and Warhol turns it into a homoerotic performance, a dance of adoration and control, a triangle of looking and keeping-at-bay, that is a slightly dullish but finally essential contribution to Warhol's long project of bringing portraiture technologies to moviemaking.
Name | Character | Team | |
---|---|---|---|
Billy Name | Unowned | ||
Fred Herko | Himself | Unowned | |
John Daley | Unowned | ||
James Waring | Unowned |