10
264 min
The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.
Name | Character | Team | |
---|---|---|---|
Bernd Weikl | Amfortas | Unowned | |
Siegfried Jerusalem | Parsifal | Unowned | |
Waltraud Meier | Kundry | Unowned | |
Kurt Moll | Gurnemanz | Unowned | |
Jan-Hendrik Rootering | Titurel | Unowned | |
Franz Mazura | Klingsor | Unowned | |
Heidi Grant Murphy | Knappe erste | Unowned | |
Jane Bunnell | Knappe zweite | Unowned | |
John Horton Murray | Knappe dritte | Unowned | |
Bernard Fitch | Knappe vierte | Unowned | |
Paul Groves | Ritter erste | Unowned | |
Jeffrey Wells | Ritter zweite | Unowned | |
Kaaren Erickson | Blumen zweite | Unowned | |
Korliss Uecker | Blumen vierte | Unowned | |
Gwyne Geyer | Blumen fünfte | Unowned | |
Wendy White | Blumen sechste | Unowned | |
Gwineth Bean | Self - Solo | Unowned | |
James Levine | Self - Conductor | Unowned | |
Garrick Utley | Self - Host | Unowned | |
MET Orchestra | Unowned |