0
179 min
Director Stefano Poda set the action in the mid 19th century. There’s not a piece of furniture in the whole show. Just a lot of slabs which change position as the opera progresses. There were also a lot of non-singing characters in strange poses who popped up here and there. This sort of staging is not the usual for the Parma house which typically stays close to the traditional. There’s nothing wrong with the staging that a first rate musical effort couldn’t overcome. But that effort was not forthcoming.
Name | Character | Team | |
---|---|---|---|
Aquiles Machado | Don Alvaro | Unowned | |
Dimitra Theodossiou | Donna Leonora | Unowned | |
Vladimir Stoyanov | Don Carlo | Unowned | |
Mariana Pentcheva | Preziosilla | Unowned | |
Roberto Scandiuzzi | Padre Guardiano | Unowned | |
Carlo Lepore | Fra Melitone | Unowned | |
Ziyan Atfeh | The Marquis of Calatrava | Unowned | |
Adriana Da Paola | Curra | Unowned | |
Alessandro Bianchini | Un alcalde | Unowned | |
Myung Ho Kim | Maestro Trabuco, a muleteer and peddler | Unowned | |
Gabriele Bulletta | A surgeon | Unowned |