Yes, the King arrives, eventually!
0
125 min
The opera's dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says "Pari siamo", he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.
| Name | Character | Team | |
|---|---|---|---|
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Louis Quilico | Rigoletto | Unowned |
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Luciano Pavarotti | Il Duca di Mantua | Unowned |
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Christiane Eda-Pierre | Gilda | Unowned |
| Ara Berberian | Sparafucile | Unowned | |
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Isola Jones | Maddalena | Unowned |
| John Darrenkamp | Marullo | Unowned | |
| Batyah Godfrey | Giovanna | Unowned | |
| Betsy Norden | Countess Ceprano | Unowned | |
| Norman Andersson | Count Ceprano | Unowned | |
| Charles Anthony | Borsa | Unowned | |
| Richard J. Clark | Monterone | Unowned | |
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James Levine | Self - Conductor | Unowned |
| Nadyne Brewer | A page | Unowned | |
| Paul de Paola | Chief guard | Unowned | |
| MET Orchestra | Unowned |