Yes, the King arrives, eventually!
0
125 min
The opera's dramatic structure frames and enhances the characters. Scenes of magnificence regularly alternate with scenes of darkness and squalor. From sumptuous interiors, we move to a dark street, a lonely inn. The secondary figures are astutely counterpoised: the plotting courtiers against the plotting Sparafucile and Maddalena (also ambiguously tender-hearted). When Rigoletto says "Pari siamo", he could be expressing the motto of the whole work: the beautiful and the ugly can be equally good, equally evil.
Name | Character | Team | |
---|---|---|---|
Louis Quilico | Rigoletto | Unowned | |
Luciano Pavarotti | Il Duca di Mantua | Unowned | |
Christiane Eda-Pierre | Gilda | Unowned | |
Ara Berberian | Sparafucile | Unowned | |
Isola Jones | Maddalena | Unowned | |
John Darrenkamp | Marullo | Unowned | |
Batyah Godfrey | Giovanna | Unowned | |
Betsy Norden | Countess Ceprano | Unowned | |
Norman Andersson | Count Ceprano | Unowned | |
Charles Anthony | Borsa | Unowned | |
Richard J. Clark | Monterone | Unowned | |
James Levine | Self - Conductor | Unowned | |
Nadyne Brewer | A page | Unowned | |
Paul de Paola | Chief guard | Unowned | |
MET Orchestra | Unowned |