6
109 min
With his penultimate film, Uchida revisited one of his popular prewar titles, 1936’s Theatre of Life, an adaptation of Shiro Ozaki’s eponymous novel. Three-time Seijun Suzuki collaborator Goro Tanada wrote a gangsterized adaptation of Ozaki’s story for Uchida at a time when the yakuza had eclipsed the samurai genre as Toei's main cash crop. Protagonist Hishakaku murders a man in a quarrel over a barmaid and goes to jail. In his temporary absence, his girlfriend Otoyo, a former geisha, falls for Hishakaku’s brother, inciting a dangerous love triangle that, in typical yakuza fashion, ends tragically.
Name | Character | Team | |
---|---|---|---|
Koji Tsuruta | Unowned | ||
Tomisaburō Wakayama | Unowned | ||
Sumiko Fuji | Unowned | ||
Ken Takakura | Unowned | ||
Takeya Nakamura | Unowned | ||
Minoru Ōki | Unowned | ||
Kinzō Shin | Unowned | ||
Bin Amatsu | Unowned | ||
Rinichi Yamamoto | Unowned | ||
Kunio Murai | Unowned | ||
Shingo Yamashiro | Unowned | ||
Tatsuo Endō | Unowned | ||
Hiroshi Nawa | Unowned | ||
Seiichirō Kameishi | Unowned | ||
Nobuo Yana | Unowned | ||
Keiichi Kitagawa | Unowned | ||
Hiroshi Date | Unowned | ||
Seiya Satō | Unowned | ||
Kōji Sekiyama | Unowned | ||
Kosaku Okano | Unowned | ||
Nenji Kobayashi | Unowned | ||
Hiroki Matsukata | Unowned | ||
Sachiko Hidari | Unowned | ||
Ryūtarō Tatsumi | Unowned |