5
0 min
Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.
| Name | Character | Team | |
|---|---|---|---|
![]() |
Otar Iosseliani | Himself | Unowned |
| Martine Marignac | Herself | Unowned | |
![]() |
Michel Piccoli | Himself | Unowned |