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92 min
The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.
Name | Character | Team | |
---|---|---|---|
Imperio Argentina | Unowned | ||
Guillermo Blázquez | Encargado archivo | Unowned | |
José Antonio García Blázquez | Unowned | ||
María Reyes Boada | Monja | Unowned | |
Gloria de Jesús | Rojilla la del marqués | Unowned | |
Esteban Fernández | Encargado almacén | Unowned | |
María Galiana | Profesora de cante | Unowned | |
María del Valle García | Cantante | Unowned | |
Encarna Gullón | Monja | Unowned | |
Carlos Herrera | Self | Unowned | |
Juan Montoya | Gitanillo de Hollywood | Unowned | |
Carmen Noble | Pianista | Unowned | |
Carmen Nuño | Cantante | Unowned | |
Lourdes Ortiz | Unowned | ||
Emilio Perez Ruiz | Unowned | ||
Julia Piñero | Ama de llaves | Unowned | |
Antón Reixa | Unowned | ||
Raquel Rodrigo | Ojos Verdes | Unowned | |
Amós Rodríguez Rey | Marqués de Almodóvar | Unowned | |
Carlos Álvarez-Nóvoa | Diplomático | Unowned |