0
163 min
The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).
| Name | Character | Team | |
|---|---|---|---|
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Friedrich Karl Praetorius | Macheath, genannt Mackie Messer | Unowned |
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Jürgen Holtz | Jonathan Jeremiah Peachum | Unowned |
| Ingeborg Engelmann | Celia Peachum, seine Frau | Unowned | |
| Katherina Lange | Polly Peachum, seine Tochter | Unowned | |
| Axel Böhmert | Brown, Polizeichef von London | Unowned | |
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Dorothee Hartinger | Lucy, seine Tochter | Unowned |
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Carola Regnier | Die Spelunken-Jenny | Unowned |
| Wilfried Elste | Pastor Kimball | Unowned | |
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Stephan Grossmann | Filch / Trauerweiden-Walter | Unowned |
| Michael Lucke | Ein Moritatensänger / Münz-Matthias | Unowned | |
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Jörg Pose | Makenfinger-Jakob | Unowned |
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Waldemar Kobus | Säge-Robert | Unowned |
| Eva-Maria Strien | Alte Hure | Unowned | |
| Corinna Schnabel | Vixen | Unowned | |
| Renate Wicke | Dolly | Unowned |