6
8 min
A filmmaker’s self-portrait, asking hard questions of herself and of us. Invoking Aurore Clément as a kind of stand-in or proxy, a glamorous counterpart to Akerman who sports a drawn-on moustache. What is cinema for? Who is it for? If the Mosaic prohibition on making graven images includes film images, then where does that leave a Jewish filmmaker?
Name | Character | Team | |
---|---|---|---|
Chantal Akerman | Self | Unowned | |
Aurore Clément | Self | Unowned |