0
81 min
The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.
| Name | Character | Team | |
|---|---|---|---|
| Jessica Nares | Unowned | ||
| Earl Garrett Jr. | Unowned | ||
| Jan Reds | Unowned |