0
199 min
The nearest Wagner ever got to religion was worshiping himself. Using opulent music he delivers his audience to an easy, pseudo-mystical experience. In this, one of his earlier operas, he is already showing signs of the mastery of the superlative that later would blossom fully together with his egomania.
| Name | Character | Team | |
|---|---|---|---|
| Karan Armstrong | Elsa | Unowned | |
| Leif Roar | Telramund | Unowned | |
| Elizabeth Connell | Ortud | Unowned | |
| Bernd Weikl | Herrufer | Unowned | |
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Peter Hofmann | Lohengrin | Unowned |