7
105 min
In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.
| Name | Character | Team | |
|---|---|---|---|
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Alan Garvey | Unowned | |
| Mariano del Río | Unowned | ||
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Javier Omezzoli | Unowned | |
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Guillermo Romano | Unowned | |
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Juan Minujín | Unowned | |
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Sofía Gala Castiglione | Unowned | |
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Gustavo Pardi | Unowned | |
| Alberto Valente | Unowned | ||
| Ricardo Artipini | Unowned | ||
| Nadia Rodríguez | Unowned | ||
| Victoria Lagos | Unowned | ||
| Manu Cabral | Unowned | ||
| Jorge Sandoval | Unowned | ||
| Pablo Olivera | Unowned | ||
| Patricio Montesano | Unowned | ||
| Nazarena Moreno | Unowned | ||
| Daiana González | Unowned | ||
| Martín Gonzalez | Unowned | ||
| Martín Kouto | Unowned |