0
130 min
The film is divided into two distinct stories with the same setting: the back-stage of the Moscow Operetta theater with the Can-Can metaphor which is a high-energy and physically demanding dance. Human relationships, betrayals, and the relationship between parents and children are the same common denominator found in the two parts of the film.
Name | Character | Team | |
---|---|---|---|
Yelena Zajtseva | Unowned | ||
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Pavel Ivanov | Unowned | |
Yana Ivanova | Unowned | ||
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Dmitriy Kalyazin | Unowned | |
Aleksandra Kimaeva | Unowned | ||
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Anton Yakovlev | Unowned | |
Vlad Kiryukhin | Unowned | ||
Vasilisa Nikolaeva | Unowned |