8
0 min
There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.
Name | Character | Team | |
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Enrique Diosdado | Don Juan | Unowned |
María Carmen Díaz de Mendoza | Doña Inés de Ulloa | Unowned | |
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José María Rodero | Don Luis Mejía | Unowned |
Carmen Seco | Brígida | Unowned | |
Gaspar Campos | Don Diego Tenorio | Unowned | |
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Pablo Álvarez Rubio | Don Gonzalo de Ulloa | Unowned |
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Adolfo Marsillach | Capitán Centellas | Unowned |
Pepita C. Velázquez | Doña Ana | Unowned | |
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Amelia de la Torre | Lucía | Unowned |
Mercedes Albert | La Abadesa | Unowned | |
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Berta Riaza | La tornera | Unowned |
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Rafael Alonso | Ciutti | Unowned |
Gabriel Miranda | Buttarelli | Unowned | |
Miguel Ángel | Don Rafael de Avellaneda | Unowned | |
Miguel Cerro | Un escultor | Unowned | |
José Pulido | Gastón | Unowned | |
José Pedro Lobete | Alguacil 1º | Unowned | |
Luis Crespo | Alguacil 2º | Unowned | |
María Luisa Ramos | Bailarina | Unowned |