0
208 min
Here is a rare and exceptional example in which the director and costume designer amuse themselves with `silly' costumes, but it actually works. I usually loath the stupid concept of 'clever' producers' of dressing opera singers in an motley set of `modern' and bizarre costumes (mostly tasteless) to help the `stupid' spectators to understand the universality of the opera across time and place. However, in this particular production I enjoyed every moment of it. All my reservations withstanding, I found that the costumes have actually helped highlight the `buffa' aspects of this supposedly `siria' opera. This work may not be among Handel's greatest masterpieces, but the way it is presented and sung here makes it a thorough pleasure for the senses.
Name | Character | Team | |
---|---|---|---|
Sally Matthews | Deidamia | Unowned | |
Veronica Cangemi | Nerea | Unowned | |
Olga Pasichnyk | Achille | Unowned | |
Silvia Tro Santafé | Ulisse | Unowned | |
Andrew Foster-Williams | Fenice | Unowned | |
Umberto Chiummo | Licomede | Unowned | |
Ivor Bolton | Conductor | Unowned |