6.7
91 min
Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.
| Name | Character | Team | |
|---|---|---|---|
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Bulle Ogier | Actrice n° 1 | Unowned |
| Axel Bogousslavsky | L'Employé | Unowned | |
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Luis Miguel Cintra | L'Intrus | Unowned |
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Fred Personne | L'Auteur | Unowned |
| Wladimir Ivanovsky | Le spectateur | Unowned | |
| Héloïse Mignot | Actrice nº 2 | Unowned | |
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Grégoire Oestermann | Le projectionniste | Unowned |
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Henri Serre | Voix-off (voice) | Unowned |
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Teresa Madruga | Actrice nº 1 (voice) (uncredited) | Unowned |