0
110 min
A fine example of the female-led melodramas of the 1950s that revived Iranian cinema after a long hiatus during WWII, The Last Night follows Monir, a happily married woman who gets blackmailed by her former lover and must rely on an actress to clear her name. There’s a striking sense of 1950s Iranian cosmopolitanism, especially when the camera leaves the studio and ventures into the streets of Tehran or the ski resorts in the north of the city.
| Name | Character | Team | |
|---|---|---|---|
| Hossein Daneshavar | Unowned | ||
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Azadeh | Mino | Unowned |
| Mehdi Raghabi | Unowned | ||
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Roya | Shirin | Unowned |
| Tabatabai | Dr. Saeed | Unowned | |
| Beyk-Khan | Ahmad | Unowned | |
| Soheila Sokhansanj | Stepmother | Unowned | |
| Ezzatollah Vosoogh | Father Mino | Unowned | |
| Hooshang Azadeganian | Unowned | ||
| Giti | Mrs. Nurse | Unowned | |
| Simin (I) | nanny | Unowned | |
| Afshar | Aunt | Unowned | |
| Susan Fallah | Ahamad Child | Unowned | |
| Amir Badi | Child Mansour | Unowned |