0
132 min
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
Name | Character | Team | |
---|---|---|---|
Abdias Nascimento | Self | Unowned | |
Rubem Confete | Self | Unowned | |
Leci Brandão | Self | Unowned | |
Gilberto Gil | Self | Unowned | |
Emicida | Self | Unowned | |
Djamila Ribeiro | Self | Unowned | |
Malcolm X | Self | Unowned | |
Marielle Franco | Self | Unowned | |
Seu Jorge | Self | Unowned | |
Angela Davis | Self | Unowned | |
Toni Morrison | Self | Unowned | |
Taís Araújo | Self | Unowned | |
Bia Ferreira | Self | Unowned | |
Aisha Jambo | Self | Unowned | |
Conceição Evaristo | Self | Unowned | |
Silvio Almeida | Self | Unowned | |
Jaqueline Conceição | Self | Unowned | |
Luciano Xavier | Self | Unowned | |
Leandro Karnal | Self | Unowned | |
Luiz Antônio Simas | Self | Unowned | |
Preta Ferreira | Self | Unowned | |
Átila Roque | Self | Unowned | |
Thula Pires | Self | Unowned | |
Sonia Guajajara | Self | Unowned | |
Milton Santos | Self | Unowned | |
James Baldwin | Self | Unowned | |
Zezé Motta | Self | Unowned | |
Martin Luther King Jr. | Self | Unowned | |
Grace Passô | Self | Unowned | |
Mateus Aleluia | Self | Unowned | |
Ivone Caetano | Self | Unowned | |
Ìyá Omin Edu Lade | Self | Unowned | |
Babalorixá Daniel Aparecido Pereira | Self | Unowned | |
Patricia Hill Collins | Self | Unowned | |
Jô Freitas | Self | Unowned | |
Benedita da Silva | Self | Unowned | |
MC Leonardo | Self | Unowned | |
Sueli Carneiro | Self | Unowned | |
Raull Santiago | Self | Unowned | |
Ailton Krenak | Self | Unowned |