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15 min
A conclusion and recapitulation of the Eryngium cycle, Coda deals directly with the theme of self-portraiture. The first shot alludes to the end of Erichvon Stroheim's Foolish Wives, where the corpse of the hero-director is dispatched in a man-hole. Other dramatic self-portraits follow: Caravaggio's Goliath, Dante's Sestina (read by the film-maker), and Dürer's Self-portrait with Eryngium. The abandoned villa of Migrazione is revisited. But the finale is hopeful.
| Name | Character | Team | |
|---|---|---|---|
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Massimo Bacigalupo | Unowned | |
| Mariella De Bernardi | Unowned | ||
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Tonino De Bernardi | Unowned | |
| Mara Fazio | Unowned | ||
| John Freda | Unowned |