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14 min
The film seeks to question how a certain image is perceived. The point of departure is a photograph of a street in Palestine. Later the camera moves to show that the photo includes (in a rear mirror) the image of the photographer with a camera. Finally, the image is reversed as in a mirror. The film is constituted of four unedited rolls of 100-feet 16mm reels, one of which was previously exposed in an 8mm camera.
Name | Character | Team | |
---|---|---|---|
Anna Laura Lanza | Unowned | ||
Bruno Pinto | Unowned | ||
Svevolod Rosako | Unowned | ||
Charis Vivante | Unowned |