6.5
80 min
Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.
| Name | Character | Team | |
|---|---|---|---|
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Jörn Donner | Self (archive footage) | Unowned |
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Harriet Andersson | Self | Unowned |
| Anders Carpelan | Self | Unowned | |
| Daniel Donner | Self | Unowned | |
| Johan Donner | Self | Unowned | |
| Rafael Donner | Self | Unowned | |
| Pär Stenbäck | Self | Unowned | |
| Tuula Söderberg | Self | Unowned | |
| Ari Tolppanen | Self | Unowned | |
| Bitte Westerlund | Self | Unowned |