0
120 min
The film consists of five films about Yamato in the post-COVID period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.
| Name | Character | Team | |
|---|---|---|---|
| Yukino Murakami | Unowned | ||
| Yohei Yamazaki | Unowned | ||
| Takashi Omoto | Unowned | ||
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Fukutsu Kenzo | Unowned | |
| Kumi Hyodo | Unowned | ||
| Natsuko Hori | Unowned | ||
| Eirisa Yanagi | Unowned | ||
| KU MI | Unowned | ||
| Kaoruko Koyama | Unowned | ||
| Raiki Ishikura | Unowned | ||
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Wan Marui | Unowned |