7.3
102 min
This latest feature from the eccentrically experimental Catalan director Portabella is a beautiful, sometimes faintly bonkers celebration and contemplation of the role Bach’s music plays in the world today. Blending historical reconstruction with very loosely linked ‘dramatic’ scenes and documentary sequences, the film constitutes a playful, painterly sequence of variations on the argument that Johann Sebastian changed the way the world hears thanks to his extraordinary ear for harmony.
Name | Character | Team | |
---|---|---|---|
Christian Atanasiu | Mayordomo | Unowned | |
Féodor Atkine | Vendedor de Pianos | Unowned | |
Georg Christoph Biller | Self | Unowned | |
Christian Brembeck | J. S. Bach | Unowned | |
Àlex Brendemühl | Camioner | Unowned | |
Georgina Cardona | Violonchelista | Unowned | |
Lucien Dekoster | Afinador de Pianos | Unowned | |
Beatriz Ferrer-Salat | Amazona | Unowned | |
José Pedro García Balada | Unowned | ||
Gertrud Kossler | Clienta | Unowned | |
Bert Kripstädt | Camarero | Unowned | |
Lina Lambert | Madre de Mendelssohn | Unowned | |
Daniel Ligorio | F. Mendelssohn | Unowned | |
Jordi Llordella | Amigo de Mendelssohn | Unowned | |
Ferrán Ruiz | Hijo de Bach | Unowned | |
Thomas Sauerteig | Amigo de la Violonchelista | Unowned | |
Franz Schuchart | Guía Turístico | Unowned | |
Antonio Serrano | Acompañante del Camionero | Unowned | |
Fanny Silvestre | Anna Magdalena Bach | Unowned | |
Mariona Solanas | Hija de Bach | Unowned | |
Àlvar Triay | Camionero del Bar | Unowned | |
Daniela Wick | Descendiente de Bach | Unowned | |
Jens Wittwer | Hijo Mayor de Bach | Unowned | |
Johannes Zametzer | Carnicero | Unowned |