Don't think adults are always adults.
0
126 min
The camera sometimes runs with him, sometimes captures him from a bird's eye view, sometimes stirs him up, and sometimes gives him a live feel that is as intense as the protagonist's tension. The high degree of freedom of the camera eloquently captures the protagonist's inability, to be honest. The use of a hand-held camera to capture the scene of the mountain disaster is also effective and memorable.
| Name | Character | Team | |
|---|---|---|---|
| Yukio Shimizu | Unowned | ||
| Isao Kaneko | Unowned | ||
| Susumu Nagashima | Unowned | ||
| Naomi Nakata | Unowned | ||
| Fumio Hamaya | Unowned | ||
| Koshiki Demachi | Unowned | ||
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Naoki Inoue | Unowned | |
| Akira Matsuda | Unowned |