7.2
166 min
The film, created in exile from 1971 to 1973 between Cuba and Rome, is considered a "semi-finished" work by Glauber Rocha. It has a certain pedagogical character and seeks, through dialectical editing, to conduct a critical review of colonization, class struggle, messianism, and the establishment of populist governments in the Third World. There is a chronology in the events presented, which, supported by extensive iconography (films, engravings, photos, etc.), create "free" associations that allow the viewer a "polyphonic" view of the "History of Brazil."
| Name | Character | Team | |
|---|---|---|---|
| Jésus Histon | Self - Narrator | Unowned | |
| Emilio Garrastazu Médici | Self (archive) | Unowned | |
| Humberto de Alencar Castelo Branco | Self (archive) | Unowned | |
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João Goulart | Self (archive) | Unowned |
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Jânio Quadros | Self (archive) | Unowned |
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Juscelino Kubitschek | Self (archive) | Unowned |
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Getúlio Vargas | Self (archive) | Unowned |
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Fidel Castro | Self (archive) | Unowned |
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Che Guevara | Self (archive) | Unowned |
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John F. Kennedy | Self (archive) | Unowned |
| Jirges Ristum | Unowned | ||
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Richard Nixon | Self (archive) | Unowned |
| Arthur da Costa e Silva | Self (archive) | Unowned |